The speaker of the poem meets a traveller who came from an ancient land. The traveller describes two large stone legs of a statue, which lack a torso to connect them and which stand upright in the desert. Near the legs, half-buried in sand, is the broken face of the statue. The statue's facial expression—a frown and a wrinkled lip—form a commanding, haughty sneer. The expression shows that the sculptor understood the emotions of the person the statue is based on, and now those emotions live on, carved forever on inanimate stone. In making the face, the sculptor’s skilled hands mocked up a perfect recreation of those feelings and of the heart that fed those feelings (and, in the process, so perfectly conveyed the subject’s cruelty that the statue itself seems to be mocking its subject). The traveller next describes the words inscribed on the pedestal of the statue, which say: "My name is Ozymandias, the King who rules over even other Kings. Behold what I have built, all you who think of yourselves as powerful, and despair at the magnificence and superiority of my accomplishments." There is nothing else in the area. Surrounding the remnants of the large statue is a never-ending and barren desert, with empty and flat sands stretching into the distance.
Subscribe to:
Post Comments (Atom)
Ecocriticism/Green Studies
INTRODUCTION TO ECOCRITICISM/GREEN STUDIES Ecocriticism is the latest and the newest type of theory in criticism which has evol...
-
INTRODUCTION TO ECOCRITICISM/GREEN STUDIES Ecocriticism is the latest and the newest type of theory in criticism which has evol...
-
London by William Blake Introduction of Author William Blake (1757–1827) was an English poet, painter, and printmaker, best known for hi...
-
Thinking Activity Introduction of Gabriel Okara Gabriel Okara, in full Gabriel Imomotimi Gbaingbain Okara, (born Ap...
No comments:
Post a Comment