Monday, January 16, 2023

Book Review The Ministry of Utmost Happiness

    Book Review 


Documentation: Preparing the list of work cited 

Hello reader's this task is assigned by Megha ma'am as a part of thinking activity to write book review and cite the sources as the chapter Documentation: Preparing the list of work cited is part of our syllabus.

Importance of Preparing a Works Cited List

The purpose of documentation is to allow your reader to check your sources. Perhaps he/she  has become so interested in your subject that he/she wants to learn more; perhaps he/she mistrusts your interpretations and wants to compare them with the original source. In either case, the reader should easily be able to find your sources using the bibliographical information you provide in your list of works cited.

Bibliographies list sources related to the topic of your paper. A bibliography provides your reader with a general listing of the sources that you have used or that a reader may wish to consult in researching your topic. There are essentially two types of bibliographies:
1)Works Consulted and
2)Works Cited (sometimes called References or Sources).

Book Review of The Ministry of Utmost Happiness

Arundhati Roy, full name Suzanna Arundhati Roy, (born November 24, 1961, Shilling,Meghalaya, India), Indian author, actress, and political activist who was best known for the award-winning novel The God of Small Things (1997) and for her involvement in environmental and human rights causes.

The Ministry of Utmost Happiness, a 2017 novel by Arundhati Roy, follows the interconnected lives of several characters against the backdrop of contemporary India. Large cast of characters, including a transgender woman and a resistance fighter in Kashmir.

The Ministry of Utmost Happiness starts with question Where Do Old Birds Go to Die? Then the suffering of Anjum is shown. The next chapter is about Khwabgah the childhood of Anjum/ Aftab. Anjum, a hijra, or transwoman, struggling to make a life for herself in Delhi. The other follows Tilo, a thorny and irresistible architect turned activist (who seems to be modeled on Roy herself), and the three men who fall in love with her.The story line shift from one story to another.It's very difficult to catch the story it moves like water one wave to another.

Roy has merge real incidents into Fiction through different characters.Here are few examples for Fact and Fiction .Godhra Riots 2002 - Anjum and Zakir Mian after their visit to holy place they came to Ahmedabad and riots started.
 Una Case(lynching of Dalit) - Saddam Hussain father's lynching was done by shehrawat and even was killed in Haryana.
Hanging of Saddam Hussein by America- Inspiration for Dayachand to adopt the name Saddam Hussein because he wanted to take revenge for his father's death and wanted to kill Shehrawat.

While reading the first character you get revelation of whole story in fourth chapter so one has to be alert While reading the novel .The story begins and ends in a graveyard. And in between so many incident took place. The novel is mysterious addresses a wide range of issues facing contemporary Indian society. 

Citation 

Arora, Chhagan. "The Ministry of Utmost Happiness by Arundhati Roy, (2017) Summary in Hindi." YouTube, English with Chhagan Arora, 9 Dec. 2018,  youtu.be/7vu8-3aA9fs. Accessed 16 January 2023.

“Preparing a Works Cited List.” Skidmore College, Skidmore College , www.skidmore.edu/writing_guide/list.php#. 

Roy, Arundhati. The Ministry of Utmost Happiness. India, Penguin Random House India Private Limited, 2018.

Tikkanen, Amy. "Arundhati Roy". Encyclopedia Britannica, 5 Jan. 2023, https://www.britannica.com/biography/Arundhati-Roy. Accessed 16 January 2023.

"Verve Magazine" , 3 June 2017, www.vervemagazine.in/wp-content/uploads/2017/06/Arundhati-Roy.jpg.
















Sunday, January 15, 2023

The Ministry of Utmost Happiness

Hello everyone, this task is assigned by Dilip Barad sir as a thinking activity .

The Ministry of Utmost Happiness by Arundhati Roy 

Introduction of Arundhati Roy 

Arundhati Roy, full name Suzanna Arundhati Roy, (born November 24, 1961, Shilling,Meghalaya, India), Indian author, actress, and political activist who was best known for the award-winning novel The God of Small Things (1997) and for her involvement in environmental and human rights causes.

Novels and Non-fiction Works

In 1997 Roy published her debut novel, The God of Small Things to wide acclaim. The semi autobiographical work departed from the conventional plots and light prose that had been typical among best-sellers. Composed in a lyrical language about South Asian themes and characters in a narrative that wandered through time, Roy’s novel became the biggest-selling book by a non expatriate Indian author and won the 1998 Man Booker Prize for Fiction.

Power Power Politics (2001)

The Algebra of Infinite Justice (2002)

War Talk (2003)

 Public Power in the Age of Empire (2004)

Field Notes on Democracy: Listening to Grasshoppers (2009)

Broken Republic: Three Essays (2011), and Capitalism: A Ghost Story (2014).

The Ministry of Utmost Happiness (2017)

Information about The Ministry of Utmost Happiness 

The Ministry of Utmost Happiness, a 2017 novel by Arundhati Roy, follows the interconnected lives of several characters against the backdrop of contemporary India. Large cast of characters, including a transgender woman and a resistance fighter in Kashmir etc.

1)The Reader’s Digest Book of English Grammar and Comprehension for Very Young Children by S. Tilottama. (Question - Answer)

The Informer – I

In the notified area of Tral. A village called Nav Dal. It’s 1993. The village is bristling with militants. It’s a ‘liberated’ village. The army is camped on the outskirts, but soldiers daren’t enter the village. It’s a complete stand-off. No villagers approach the army camp. There is no exchange of any sort between soldiers and villagers.And yet, the officer commanding the camp knows every move the militants make. Which villagers support the Movement, which ones don’t, who offers militants food and lodging willingly, who doesn’t.For days a close watch is mounted. Not a single person goes to the camp. Not a single soldier enters the village. And yet, the information gets to the army.Finally the militants notice a sleek black bull from the village who regularly visits the camp. They intercept the bull. Tied to his horns, along with an assortment of taveez (to keep him from illness, from the evil eye, from impotence), are little notes with information.The next day the militants attach an IED to the bull’s horns. They detonate it as he approaches the camp. No one dies. The bull is severely injured. The village butcher offers to do ‘halal’ so the villagers can at least feast on the meat.The militants pass a fatwa. It’s an Informer Bull. Nobody is allowed to eat the meat.

Amen.

Q-1 Who is the hero of the story?

Ans-1 Sleek black bull from the village who regularly visits the camp and was passing the information so the bull is hero of the story.


The Careerist 

The boy had always wanted to make something of himself. He invited four militants for dinner and slipped sleeping pills into their food. Once they had fallen asleep he called the army. They killed the militants and burned down the house. The army had promised the boy two canals of land and one hundred and fifty thousand rupees. They gave him only fifty thousand and accommodated him in quarters just outside an army camp. They told him that if he wanted a permanent job with them instead of being just a daily wage worker he would have to get them two foreign militants. He managed to get them one ‘live’ Pakistani but was having trouble finding another. ‘Unfortunately these days business is bad,’ he told PI.‘Things have become such that you cannot any longer just kill someone and pretend he’s a foreign militant. So my job cannot be made permanent.’PI asked him, if there was a referendum whom he would vote for, India or Pakistan?‘Pakistan of course.’‘Why?’‘Because it is our Mulk (country). But Pakistan militants can’t help us in this way. If I can kill them and get a good job it helps me.’He told PI that when Kashmir became a part of Pakistan, he (PI) would not be able to survive in it. But he (the boy) would. But that, he said, was just a theoretical matter. Because he would be killed shortly.

Q 1: Who did the boy expect to be killed by?

(a) The army

(b) Militants

(c) Pakistanis

(d) Owners of the house that was burned.

Ans(b) Militants 

The Nobel  Prize Winner 

Manohar Mattoo was a Kashmiri Pandit who stayed on in the Valley even after all the other Hindus had gone. He was secretly tired of and deeply hurt by the barbs from his Muslim friends who said that all Hindus in Kashmir were actually, in one way or another, agents of the Indian Occupation Forces. Manohar had participated in all the anti-India protests, and had shouted Azadi! louder than everybody else. But nothing seemed to help. At one point he had even contemplated taking up arms and joining the Hizb, but eventually he decided against it. One day an old school friend of his, Aziz Mohammed, an intelligence officer,visited him at home to tell him that he was worried for him. He said that he had seen his(Mattoo’s) surveillance file. It suggested that he be put under watch because he displayed ‘anti-national tendencies’.When he heard the news Mattoo beamed and felt his chest swell with pride.

Q 1: Why was Mattoo shot?

(a) Because he was a Hindu

(b) Because he wanted Azadi

(c) Because he won the Nobel Prize

(d) None of the above

(e) All of the above.

Ans(a) Because he was a Hindu

Q 2: Who could the unknown gunman have been?

(a) An Islamist militant who thought all kafirs should be killed

(b) An agent of the Occupation who wanted people to think that all

(c) Neither of the above

(d) Someone who wanted everyone to go crazy trying to figure it out.

Ans(a) Islamist militants thought that all kafirs should be killed

2. Three points mentioned in the photo of board -work .


Characters

Anjum -Major character of the book who is Muslim and a hijra. On her visit to a Gujarati shrine. Anjum gets caught in a massacre of Hindu pilgrims and subsequent government reprisals against Muslims. She is anxious about the future of her own community, especially the new generation. She is born as Aftab the long-awaited son of Jahanara Begum and Mulaqat Ali.

Mulaqat Ali-The husband of Jahanara Begum and the father of Aftab. He is a hakim, a doctor of herbal medicine, and a lover of poetry. Ali is the direct descendant of Mongol Emperor Changez Khan - through the emperor's second-born son, Chagatai.

Zainab-A three years old girl whom Anium picks up on the steps of the Jama Masjid. Zainab is brought up at Khwabgah and later goes on to become a fashion designer who marries Saddam.

Saddam Hussain (Dayachand)-One of the guests of Jannat Guest House. Saddam works odd jobs - in a mortuary, as a helper in a shop, a bus conductor, sells newspapers at the New Delhi railway station, a bricklayer on a construction site and as a security guard. Saddam wants to avenge his father's death by killing Shehrawat the Station House Officer of the Dulina police station.

Dr. Azad Bharatiya-One of the  many protesters near Jantar Mantar. He continues his 10-year fast and runs a newsletter called "News & Views".

S. Tilottama-Tilottama is a student at the Architecture School who is estranged from her Syrian Christian mother - Mariyam Ipe.

Tilo becomes friends with three men - Musa Yeswi, Nagarai Hariharan and Biplab Dasgupta whom she meets while working on sets and lighting design for the play Norman directed by David Quartermaine.

Nagaraj Hariharan-Cast as Norman in the play. He later becomes a top-notch journalist who works in Kashmir. Tilo marries Naga as suggested by Musa for strategic reasons and later abandons him.

Biplab Dasgupta -He was going to play the role of Garson Hobart in the play Norman. He later works for the Intelligence Bureau as Deputy Station Head for. Biplab secretly loves Ino and rents her room after she walks out on Naga.

Musa Yeswi-Musa is a reticent Kashmiri man who is classmates with Tilo in Architecture School and her boyfriend. Musa later returns to his homeland to become a militant and fight for Azadi. Musa marries Arifa and is father of Miss Jebeen the First.

Begum Arifa Yeswi-Wife of Musa Yeswi. Musa meets Arifa in a stationery shop where a grenade explosion takes place.

Major Amrik Singh-A military officer in charge of counter-insurgency operations in Kashmir. Murderer of Jalib Qadri, a well-known lawyer and human rights activist. Amrik Singh, subsequently seeks asylum in the US claiming to be the victim of the tortures he has inflicted on others.

Comrade Revathy-A Maoist from East Godavari district of Andhra Pradesh who is raped and tortured by policeman. She's the mother of Udaya (Miss Jebeen the Second). Revathy leaves Udaya in Jantar Mantar.

Imam Ziauddin-The first friend Anjum makes when she moves to the graveyard.

Miss Jebeen- Musa’s daughter, who died at the age of three in a massacre in Srinagar, Kashmir.

Miss Udaya Jebeen Second -Miss Udaya Jebeen, Miss Jebeen the Second is the baby Revathy gives up at the Jantar Mantar protest, whom Tilo kidnaps and then raises at Jannat Guest House with Anjum.

Gulrez-A friend of Musa’s who has special needs.

D.D Gupta -One of Anjum’s most loyal and oldest clients, who works in construction in Iraq.

Maryam- Tilo’s mother, a South Indian Syrian Christian born into an upper-caste family.

Aijaz- A young Kashmiri militant whom Nagaraj  interviews when he goes to rescue Tilo from the interrogation center.

Ustad Hameed Khan-The singing teacher who teaches Aftab to sing beautifully, but in such a tone that he is teased by his peers for sounding like a girl. Later, Ustad Hameed Khan gives singing lessons to Zainab.

Zakir Mian-An older Muslim man and a friend of Mulaqat Ali, with whom Anjum travels to Gujarat to go to an important Muslim shrine to seek spiritual assistance for Zainab’s ill health. 

ACP Pinky Sodhi-The only female character in the army, ACP Pinky is known for her violent interrogation techniques, which seem at odds with her beauty.

Balbir Sodhi -ACP Pinky Sodhi's brother. A senior police officer who had been shot down by militants in Sopore.

Mr. Aggarwal-A bureaucrat and aspiring politician.

Tubby Gandhi

Gujarat ka Lalla-Gujarat ka Lalla refers to a Hindu fundamentalist politician who rises to fame and is eventually elected Prime Minister in India. 

Saeeda-A “more modern” Hijra who lives with Anjum at the Khwabgah, Saeeda is young Zainab’s second favorite. 

Loveleen Singh-wife of Amrik Singh

Khadija -A friend of Musa’s who takes messages to Tilo from his part, Khadija herself becomes a good friend of Tilo’s as well.

Kulsoom Bi – The Head Hijra of the Khwabgah, Ustad Kulsoom Bi 

Nimmo Gorakhpuri -A Hijra, and friend of Anjum, who believes that Hijira's are totally incapable of happiness.

Summary -Plot-Narrative Style 

Aftab is a hermaphrodite born in Old Delhi and raised as a boy. However, Aftab is never comfortable with this and when he reaches adulthood, he opts for gender reassignment surgery. Aftab is reborn as Anjum, a glamorous woman whose affectionate, outgoing manner quickly ingratiates her with many members of the community. Eighteen and independent for the first time, Anjum finds a home with the residents of the place called Khwaboah, meaning "House of Dreams." This is a community of non-conformists, many who are either intersex or transgender like Anjum. Calling it home, she remains there for thirty years, during which time she becomes a mother figure to a little girl named Zainab and raises her to adulthood. However, when she is forty-six, she survives a massacre in Ahmedabad and decides to leave the Khwabgan. She moves into a local cemetery transforming it into a guesthouse that she names Jannat, or "Paradise." She opens a funeral services company catering to marginalized and persecuted groups. One day, a baby was found at an observatory in Delhi. Anjum takes the child in, but she disappears one day. Anjum tracks the baby down to the house of the woman who took her.

The narrative then shifts to the story of S. Tilottama, called "Tilo" for short, the woman who took the baby. The story flashes back to her college days, her narrative spliced together with the stories of two men who loved her during these years. One is an old bureaucrat called Garson Hobart, the other, a mainstream journalist named Naga whom she eventually marries. Tilo, a dark-skinned, smart woman, had been close to architecture student Musa Yeswi in university. After university. Musa and Tilo reconnected shortly after his wife died. However, Musa became involved with the Kashmiri separatist movement advocating for independence for the Muslim región at the border of Pakistan. Musa and his friend, Commander Gulrez, raise the attention of Indian bureaucrats led by the ruthless Major Amrik Singh. Singh, known for torturing his suspects brutally, captures Musa and Gulrez. Musa manages to escape, but Gulrez is killed as Tilo watches. Shaken and realizing how close she came to being caught up in an extremely dangerous plot, Tilo decides to play it safe and marry Naga. Fourteen years later, they divorce and Tilo rents an apartment from Garson Hobart. They reconnect, but she soon disappears again with the baby from the observatory. She has named the baby Miss Jebeen the Second, after Musa's slain daughter. Anjum finds her, and invites both of them to move into the Jannat guesthouse With her.

The narrative then flashes back to show how Miss Jebeen the First died, in the conflict of 1990s Kashmir. She and Musa's wife, Arifa are shot by soldiers on Major Singh's orders. Although Major Singh later tries to make peace with Musa by paying him off, Musa angrily rejects him and goes undercover. We also see more of the night Gulrez died, and it is revealed that Tilo was pregnant when she escaped Kashmir and married Naga. However, she chooses to have an abortion. Back in the present, the residents of Jannat celebrate Zainab's wedding to fellow resident Saddam. One day, they receive a letter written by Miss Jebeen the Second's mother. A member of the Communist party, Comrade Maase Revathy was raped, and although she could not care for her child, she reveals she named her Udaya. The residents of Jannat agree to name the child Miss Udaya Jebeen, to honor both parents' wishes. The book ends as Garson Hobart reads through Tila's documents, realizing that he now sides with her on Kashmir Musa arrives at his apartment, and they talk about Kashmir, with Musa saving that the conflict will make the country explode one day. Musa joins Tila at Jannat for the night but leaves to rejoin the fight in Kashmir, where he's killed. Anjum takes Miss Udaya Jebeen for a walk around Delhi in the last scene, while a small dung beetle observes the world around.

Fact and Fiction 

Tubby Gandhi -Anna Hazare 

Mr.Aggarwal- Arvind Kejriwal

Gujarat ka Lalla -Narendra Modi

Trapped Rabbit - Manmohan Singh 

Dr.Azad Bhartiya- Obsession for adopting the surname 

Godhra Riots 2002 - Anjum and Zakir Mian  after their visit to holy place they came to Ahmedabad  and riots started.

 Una Case(lynching of Dalit) - Saddam Hussain father's lynching was done by shehrawat  and even was killed in Haryana.

Hanging of Saddam Hussein by America- Inspiration for Dayachand to adopt the name Saddam Hussein because he wanted to take revenge for his father's death and wanted to kill Shehrawat.

3)Write about any one theme or character of the novel with the help of Chat OpenAI GPT. Ask to Chat GPT and put a screenshot as well as copy-paste the answer generated by this response generator.



(Que)Identify Crisis through the character of Anjum in The Ministry of Utmost Happiness by Arundhati Roy.

(Ans) In Arundhati Roy's novel The Ministry of Utmost Happiness, the character of Anjum is a hijra, a person who identifies as a gender other than male or female. Anjum's struggles with societal discrimination and rejection due to their gender identity can be seen as a representation of the crisis of marginalized identities in India. Additionally, Anjum's experiences as a member of the hijra community, who are often rejected by their families and forced to live in poverty, highlight the broader crisis of poverty and social inequality in the country.

Word Count :- 2,840









Sunday, January 8, 2023

Petals of Blood

   Ngugi wa Thiong’o


Ngugi wa Thiong’o, original name James Thiong’o Ngugi, (born January 5, 1938, Limuru, Kenya), Kenyan writer who was considered East Africa's leading novelist. His popular Weep Not, Child (1964) was the first major novel in English by an East African. As he became sensitized to the effects of colonialism in Africa, Ngugi adopted his traditional name and wrote in the Bantu language of Kenya's Kikuyu people.


      Major Works 
  • Short Stories 
  1. The Fig Tree
  2. The Wind The Secret Lives(1976)

  • Plays 
  1. The Black Hermit
  2. Ngaahika Ndeenda (1977) Gikuyu.

  • Novels
  1. Weep Not Child (1964)
  2. The River Between (1965)
  3. A Grain of Wheat (1967)
  4. The Wound in the Heart (1976)
  5. Petals of Blood published (1977)
  6. Caitaani Hultharaba Ini appeared in Gikuyu (translation Devil on the Cross)
  7. Wizard of the Crow, is written in Gikuyu.

  • Essays 
  1. A Barrel of Pen (1984)
  2. Decolonizing the Mind appeared in 1986

     Summary 

Petals of Blood (1977) deals with social and economic problems in East Africa after independence,particularly the continued exploitation of peasants and workers by foreign business interests and a greedy  indigenous bourgeoisie.

Set in Kenya just after independence. The story follows four characters; Munira Abdullah, Wanja and Karega. In order to escape city life, each retreats to the small, post colonial village of Ilmorog It is the dramatiation and condemnation of the ruthless capitalist exploitation of the masses by those in privileged positions.

The novel progresses, the characters deal with the repercussions of the Mau Mau rebellion as well as with a new, rapidly westernizing Kenya.The novel largely deals with the scepticism of change after Kenya's independence from colonial rule, questioning to what extent free Kenya merely emulates, and subsequently perpetuates, the oppression found during its time as a colony.

Other themes include the challenges of capitalism, politics, and the effects of westernization.Education, schools, and the Mau Mau rebellion are also used to unite the characters, who share a common history with one another.

Neo -Colonialism:with reference to Petals of Blood 

What is Neocolonialism?

It is a policy of a strong nation in seeking political and economic hegemony over an independent nation or extended geographical area without necessarily reducing the subordinate nation or area to the legal status of a colony The term neocolonialism was first used In 1965, by Kwame Nkrumah after World War II to refer to the continuing dependence of former colonies on foreign countries.

 Roland Fuh gave a simple definition of Neocolonialism that,"Neo-colonialism can be defined as the indirect control of the economic, political and socio-cultural life of African countries by their former colonial masters. Unlike colonialism which was direct control, neo-colonialism operates indirectly and secretly."

In Neo-Colonialism, the Last Stage of Imperialism Nkrumah has
offered an in-depth critique of neocolonialism. He argued that neocolonialism is the final and the most perilous stage of imperialism. Since the old-fashioned ways of colonization no more exists, the imperialist powers direct their domination indirectly on the economic system, politics and cultural base of a decolonized nation. 

 To use the term "neocolonialism" is to accept the perpetuation of the imperialist oppression and colonialist domination in a different and essentially new format even after the achievement of independence.

Neocolonialism in Petals of Blood

The novel starts with the news of murder of: Mzigo, Chui and Kimeria.
Wanja, Munira, Karega and Abdulla are suspected.  Ilmorog has grown from a traditional Kenyan village to a modern industrial town.

 According to Josephine Sitwala, The modernisation of the area brings changes which Ngugi regards as examples of neo-colonisation. He does not accept the urbanisation of Ilmorog because it has destroyed its original beauty and, as such, brought suffering to its inhabitants. The focus of neo-colonialism in Petals of Blood is land and is based on social abuse, oppression, exploitation and injustice.' 

The novel shows the failure of the ruling elite to meet the masses' needs concering land ownership adequately.
The elite still maintain their connections with the departed colonisers, thus, creating a rift between the middle class and the bourgeoisie.

A speech given by Nyakinyua contrasts the working class and the elite, this motivates her to agree to make a trip to Nairobi:
"I think we should go. It is our time to make things happen. There was a time when things happened the way we in Ilmorog wanted them to happen. We had power over the movement of our limbs. We made up our own words and sang them and we danced to them. But there came a time when this power was taken from us. We danced yes, but somebody else called out the words and the song. They ate our forest. Then they sent for our young men. They went on swallowing our youth. Ours is only to bear in order for the city to take that is why Ilmorog must go there and see this Ndamathia that only takes but never gives back."

Females' being oppressed by males and African's being exploited by the colonists have the same ideological basis.Women were described as "oppressed" because they were exploited and dominated. Subaltern nations, too, were oppressed on the same basis: they were exploited and dominated by colonial and/or imperial powers.

Wanja Kenya, Africa. What money wanted was body, just like the imperialists desired for the African land. As objects of sexual desires, both Wanja's mature body and the fertile African land were exploited. By narrating Wanja's past, Ngugi expressed his harsh criticism against the imperialists' control and domination of Africa.Politician Nderi wa Riera - he is only concerned with the votes of Ilmorog at elections and he ignores the social and economic needs of remote areas such as Ilmorog. Wanja and Abdulla lost Bar and Money.

 Petals of Blood – All Characters 

Main Characters
1. Munira
A sensitive schoolteacher who comes to Ilmorog to start a new life. He loves Wanja but fails in love and becomes deeply religious and confused.

2. Abdulla
A brave freedom fighter who lost his leg in the Mau Mau struggle. A kind shopkeeper, loyal friend, and caring father figure.

3. Wanja
A strong, intelligent, and emotional woman. She suffers a lot in life but struggles hard to survive and succeed.

4. Karega
A passionate revolutionary who fights for justice, equality, and workers’ rights.

Important Supporting Characters
5. Inspector Godfrey
A calm and neutral police officer who investigates the murders.

6. Mwathi wa Mugo
The village diviner who guides people with traditional beliefs.

7. Nyakinyua
Wanja’s wise grandmother who loves tradition and community.

8. Mzigo
Education Officer and later businessman who helps exploit Ilmorog.

9. Mukami
Munira’s loving sister and Karega’s beloved. She commits suicide due to family pressure.

10. Ezekieli (Waweru)
Munira’s strict, wealthy, and religious father. He supports colonial power.

11. Mariamu
Karega’s mother and a poor village woman.
12. Joseph
Abdulla’s adopted son, symbol of hope and future.

Political, Business & Power Figures
13. Nderi wa Riera-aa
A selfish politician who pretends to help people but works for his own benefit.

14. Chui
Former student turned strict headmaster and greedy businessman.

15. Cambridge Fraudsham
Colonial headmaster who believes in British superiority and strict discipline.

16. Hawkins Kimeria
A rich and corrupt businessman who exploits Wanja and betrays freedom fighters.

17. The Lawyer
A kind and brave lawyer who helps villagers and fights injustice; later murdered.

Freedom Fighters & Historical Figures
18. Ndinguri
Karega’s brother and Mau Mau fighter who is betrayed and killed.

19. Old Masai
A respected Mau Mau leader remembered for bravery.

20. Dedan Kimathi
Real-life Mau Mau leader and symbol of freedom struggle.

Village Elders & Minor Characters
21. Njogu
Village elder and farmer.

22. Muturi
Village elder and farmer.

23. Ruoro
Village elder and farmer.

24. Njuguna
Village elder and farmer.

25. Julia
Munira’s wife.

26. Rev. Jerrod Brown
A religious leader who helps villagers only for publicity.

27. Ndemi
An important ancestor of Ilmorog.

28. Lillian
Munira’s lover who later becomes a religious preacher.

 Petals of Blood
Petals of Blood by Ngũgĩ wa Thiong’o is a powerful novel that presents the harsh realities of Kenyan society after independence, focusing on poverty, corruption, political betrayal, and the suffering of ordinary people. The novel opens with the shocking arrest of Munira, a schoolteacher, along with Abdulla, a disabled shopkeeper, and Karega, a political activist, for questioning about the burning and killing of three wealthy businessmen—Chui, Mzigo, and Kimeria. After this dramatic beginning, the story moves twelve years into the past to explain the events that led to this tragedy. Munira arrives in the remote village of Ilmorog to work as a teacher and to escape his troubled family life. There, he meets Abdulla, who lost his leg while fighting in the Mau Mau rebellion for Kenya’s independence, and Wanja, a strong and emotionally wounded woman who has come to stay with her grandmother Nyakinyua. Wanja begins working in Abdulla’s small bar so that Joseph, Abdulla’s adopted son, can go to school, and gradually, Munira develops feelings for her. Their relationship, however, is full of emotional confusion, dissatisfaction, and unfulfilled desire, and Wanja eventually leaves Ilmorog in search of a better life.

Later, Karega arrives in Ilmorog seeking guidance from Munira. Karega is a serious and passionate young man who strongly believes in justice, equality, and the empowerment of ordinary people. He had earlier been expelled from school for protesting against racist and colonial educational practices. In Ilmorog, Karega becomes a teacher and plays an important role in raising political awareness among villagers. When Ilmorog is struck by a devastating drought that destroys crops and deepens poverty, Karega proposes that a group of villagers travel to the city to seek help from their Member of Parliament, Nderi wa Riera. The journey is long, exhausting, and full of humiliation. Along the way, Joseph falls dangerously ill, yet no one is willing to offer shelter or medical assistance. The villagers experience cruelty and indifference, and Wanja is tragically exploited by the rich businessman Kimeria to secure Joseph’s safety. When the group finally meets the MP, he refuses to take responsibility and instead arranges for Munira, Abdulla, and Karega to be arrested. However, a compassionate and courageous lawyer defends them in court, and widespread newspaper coverage brings public attention to Ilmorog’s suffering. As a result, government agencies and charitable organizations promise aid, and eventually, rain returns to the village.

With rainfall and external support, Ilmorog begins to develop rapidly. Roads are built, businesses expand, and tourists arrive, turning the once-isolated village into a growing town. Wanja and Abdulla take advantage of this change by selling food and a traditional drink called Theng’eta, which becomes extremely popular and profitable. However, the development soon reveals its dark side. Wealthy businessmen such as Chui, Mzigo, and Kimeria seize control of major enterprises, while local farmers are encouraged to take loans that they cannot repay, leading to the loss of their ancestral lands. Even Nyakinyua, Wanja’s grandmother, loses her land, a blow so painful that it contributes to her death. Disillusioned by the cruelty of the system, Wanja abandons hope in social morality and opens a brothel, believing that survival requires exploiting the exploiters. Meanwhile, Karega travels across Kenya, working in plantations, factories, and docks, where he witnesses widespread worker exploitation. These experiences strengthen his commitment to labor rights, and he becomes a dedicated union organizer, openly challenging capitalist oppression. His political activities make him a target for powerful elites, who secretly plan to eliminate him.

At the same time, Munira undergoes a psychological and spiritual crisis. Consumed by jealousy toward Karega and obsessed with Wanja, Munira turns to extreme religious devotion, believing that divine intervention can cleanse society’s sins. His mental instability deepens as he becomes convinced that Wanja represents moral corruption and that Karega must be saved from her influence. This distorted religious zeal ultimately drives Munira to commit the final tragic act. One night, when Wanja invites Chui, Mzigo, Kimeria, and Abdulla to her brothel with the intention of exposing their hypocrisy and greed, violence erupts. Wanja impulsively stabs Kimeria, while Munira secretly sets the building on fire, killing Chui and Mzigo in the flames. Abdulla rescues Wanja from the burning building, but the destruction leaves lasting trauma. After investigation, it is revealed that Munira is responsible for the arson, and he is arrested and charged with murder.

In the closing section of the novel, despite immense suffering and loss, a note of hope remains. Wanja discovers she is pregnant, symbolizing renewal and the possibility of a better future. Abdulla takes pride in Joseph’s education and moral growth, seeing in him the promise of a new generation. Karega, undeterred by persecution, recommits himself to the struggle for workers’ rights, justice, and social equality. Through these characters, Ngũgĩ emphasizes that true independence and freedom can only be achieved through awareness, unity, resistance, and continuous struggle against exploitation. The novel ultimately presents a powerful critique of postcolonial corruption and capitalist greed while affirming hope in collective action and human resilience.

Conclusion 

The terrible situation after African independence, they show sharply different views towards the imperialists new way of exploiting and controlling Africa. The narrators allow different Africans voice, their own stories, their plight and rebellion against the power.For Ngugi, the African females were driven to be prostitutes directly because of the imperialists' exploitation; however, these females, like other proletariats, would take actions to fight.The conflicting narrative of Ngugi reflect his oppositions concerning neo-colonialism, one as an insider opposing it, while the other as an outsider standing by it. Ngugi has catapulted caustic criticism against the middle class of Africa who derived power from the common people during the anti-colonial struggles and after independence derived it to "form a cozy relationship with the western bourgeoisie.

Tuesday, January 3, 2023

Revolution 2020

Revolution 2020 by Chetan Bhagat 

  Introduction about Chetan Bhagat 

Chetan Bhagat (born 22 April 1974) is an Indian author, columnist and YouTuber. He was included in Time magazine's list of World's 100 Most Influential People in 2010.Five of his novels have been adapted into films.
Chetan also writes about youth and national development issues in India. His notable works are as follows:-
  • Five Point Someone
  • 2 States: The Story of My Marriage
  •  The 3 Mistakes of My Life
  • Half Girlfriend
  • One Indian Girl

Brief summary

This book was published on 5 October 2011 which follows the story of two friends separated by their ambitions and passions yet connected by their love for the same girl Arti. While Gopal, who has experienced the harsh realities of life due to poverty aspires to become rich, his friend Raghav is a boy from a well-off family who desires to create a revolution in India by fighting corruption.

Gopal gets a low ranking in the AIEEE exams while Raghav is among the toppers. Gopal moves to Kota to join reputed coaching classes to help with his ranking. Raghav becomes a celebrity in the town after he passes the IIT entrance exam. Aarti falls for Raghav during Gopal's absence. Aarti and Gopal chat online, and Aarti reveals her relationship to Gopal, who is heartbroken. He studies hard but gets a low ranking in the AIEEE exam for the second time. His father dies shortly after. Raghav decides to become a journalist and pursue a career in a newspaper publishing house. Meanwhile, Gopal is contacted by a politician who wishes to build an engineering college on the highly valuable land that Gopal's family owns. Gopal agrees to the deal, and joins the system of corruption in India in order to build the college with the politician's black money.

Raghav starts his own newspaper, Revolution 2020, to change the world and expose the corrupt system in India. After another expose, Raghav's newspaper is shut down by politicians and thugs, and he loses almost everything. Raghav is still passionate about his activism and forgets about Aarti. Gopal seduces Aarti who returns his love, giving in to years of suppressed feelings. Aarti falls in love with Gopal, and begins to cheat on Raghav. Gopal then decides to disclose to Raghav that him and Aarti are a couple. Gopal goes to Raghav's office but a chance encounter with a poor farmer and his kid who had come to Raghav for help shakes him up and he realizes the folly of money, power and wealth. He decides to let go of Aarti perhaps realising they were never meant to be together and Raghav would always remain Aarti's love. He with the help of politician invites two prostitutes as a part of his birthday surprise and ensures Aarti witnesses it, making her hate him forever. He anonymously helps Raghav get a job, and suggests he become a politician (MLA) to bring about the revolution he desired. Aarti and Raghav thereafter got married.
Gopal becomes a rich and successful businessman, but is still heartbroken over Aarti.

 1)Social realism in the novel.

In this novel Chetan Bhagat tells about social evils, corruption and problems of young generation with the different characters like Aarti, Raghav, Gopal etc .The main thing is corruption a deep rooted poison of society. Corruption, the dark side of Indian society that is  generally accustomed to, manifests itself in the rotten educational system, coupled with the dishonesty. The novel projects the picture of unfair society in which the Indian youth are struggling to fulfill their ambitions. The novel sheds light on the very current topic of  corruption in education. Chetan Bhagat criticizes how the educational institutes become business center. Gopal’s journey from the poor middle class to the young rich person shows the corruption in education system.

 He has observed unfair practices right from the beginning of the land acquisition to erection of building and fulfilling the admission quota. With the support of MLA Shuklaji, he has kidnapped the four year old grandson of Ghanshyam and demanded to leave the possession of land. Thus, they have acquired the land by force and converted this agricultural land into commercial purpose that is to run educational institute by paying bribe worth twelve and half thousand rupees to the deputy corporator. Gopal offered two lakh rupees to the head of the AICTE approval committee and twenty-five thousand rupees to each members of the committee to get approval. The fake demolition of the illegal construction is the best example of corruption chain. Because of the article of illegal construction by Raghav, the VNN officials have started to demolish the construction with bulldozers. 

Gopal has rang the phone to Shuklaji and begged for help. The MLA Shuklaji has settled down the matter by paying the bribe of rupees two lakh to the VNN officials and has arranged a fake demolition to deceive the people. After all, the building is erected. Moreover, the management has fixed the School Principals to recommend Ganga Tech College to their students and for this they have given ten thousand rupees per admission as commission. Prof. Shrivastav’s way of evading income tax, missing lectures and getting payment etc. this all shows the contemporary social realism in the novel.

2)Significance of title Revolution 2020.


we can interpret title in two different ways which is as follows:-
The title is written in such a way which  include 'Love' in this story of Revolution.


The title of the novel is inspired by IPL Cricket league which is played in Twenty20 format.

3)Do you think that an opportunity for a good novel is wasted because the story is told from Gopal's perspective? Can it be better if narrated from Raghav or Aarti's perspective? How would it be better if it was narrated from Raghav or Aarti's perspective?

Yes, according to me if Raghav would be narrating a story then he would be looking forward towards the welfare of society or we can say change. Because he wanted to become journalist and even he became and was even good at studies he cleared all his exams .Raghav get a job, and suggests he become a politician MLA to bring about the revolution he desired. If he would be narrating then his point view would be totally different from Gopal their won't be corruption.

Word Count:- 1,076 




Monday, December 26, 2022

The Joys of Motherhood

"The Joys of Motherhood "

Introduction of Buchi Emecheta 

Buchi Emecheta, in full Florence Onyebuchi Emecheta.Igbo writer whose novels deal largely with the difficult and unequal role of women in both immigrant and African societies and explore the tension between tradition and modernity.

Emecheta married at age 16, and she emigrated with her husband from Nigeria to London in 1962. She began writing stories based on her life, including the problems she initially encountered in England. These works were first published in New Statesman magazine and were later collected in the novel In the Ditch (1972). That work was followed by Second-Class Citizen (1974), and both were later included in the single volume Adah’s Story (1983).Those books introduce Emecheta’s three major themes: the quests for equal treatment, self-confidence, and dignity as a woman. Somewhat different in style is Emecheta’s novel Gwendolen (1989; also published as The Family), which addresses the issues of immigrant life in Great Britain, as do Kehinde (1994) and The New Tribe (2000).

Most of Emecheta’s other novels—including The Bride Price (1976), The Slave Girl (1977), The Joys of Motherhood (1979), Destination Biafra (1982), and Double Yoke (1982)—are realistic works of fiction set in Nigeria. Perhaps her strongest work, The Rape of Shavi (1983), is also the most difficult to categorize. Set in an imaginary idyllic African kingdom, it explores the dislocations that occur when a plane carrying Europeans seeking to escape an nuclear disaster crashe.

Emecheta wrote an autobiography, Head Above Water (1986), and several works of children’s and juvenile fiction. She was made an Officer of the British Empire (OBE) in 2005.

Buchi Emecheta used to say, “I work toward the liberation of women but I’m not a feminist I’m just a woman.”

About Novel

The Joys of Motherhood is a novel written by Buchi Emecheta. It was first published in London, UK, by Allison & Busby in 1979 and was first published in Heinemann's African Writers Series in 1980 and reprinted 1982, 2004, 2008.

The book opens as Nnu Ego runs away from her home in Lagos, Nigeria, where her first baby has just died she has decided to commit suiside.The story flashes back to the story of how Nnu Ego was conceived. Her father, Agbadi, though he has many wives, is in love with a proud and haughty young woman named Ona. Ona refuses to marry him because she is obligated to produce a son for her father's family line, and not a husband's. But when Agbadi is almost killed in a hunting accident, Ona nurses him back to health and becomes pregnant with his child. She agrees that if it's a daughter, the child will belong to Agbadi.

 Emecheta also attacks Ibos who take use of masculine power to oppress women, wives, and daughters. Though women can bear children and raise them, the "Joys of Motherhood" can also be painful and anxiety-inducing. One of Emecheta's most important and well-known works, The Joys of Motherhood, criticises colonialism, tradition, and women's roles, and how they effect one woman, Nnu Ego, and her family.

Q-1) "The most celebrated female character in African creative writing is the African mother." by Marie A. Umeh according to this, is the character of Nnu Ego celebrating motherhood or not? Explain.

The title of the book, which is taken from Flora Nwapa's novel, Efuru, is then significant and bitterly ironic. Dazzled by ambitious sons educated outside of traditional Igbo values, Nnu Ego breaks down and her old secure world gives way to a new one. Fully conscious of the irony in her life, she says, 

"A woman with many children could face a lonely old age and maybe a miserable death all alone, just like a barren woman" 

Emecheta constructs a totally different set of economic, socio-political and cultural an essential which diverge from the existing literary models.

The character of Nnu Ego celebrating motherhood. The novel The Joy of Motherhood is the story of female protagonist Nnu Ego, who enjoys her life being mother of many children in order to have a comfortable old age. She is ready to sacrifice herself in order to feed and give clothes to children, Emecheta tries to offer the meaning of motherhood through her character Nnu Ego.

Without motherhood, Nnu Ego feels empty and struggled very hard to be a mother.Emecheta wants to transmit the point that bearing more than five or six children do not mean that a mother is going to be prosperous in her old age. She examines the institution of motherliness, unpleasant experiences mixed up in motherliness, and its shock on the minds of the Nigerian women. According to Katherine Frank, "The complete futility of motherhood that we find in The Joys of Motherhood is the most heretical and radical aspect of Emecheta's vision of the African Women".

Nnu Ego had to experience patriarchal slavery throughout her life and died in solitude. All mothers, Ona,Akadu and Nnu Ego, have been victimized in the patriarchal,and traditionally strong Ibo society. But Emecheta’s Nnu Ego challenges the conservative conception ,producing numerous children will give a woman much joyful.

Nnu Ego is not a radical ,she dutifully accepts and fulfills her role as a woman in Ibo society. Her initial quest is for justification and validation. When she cannot conceive with her first husband, Amatokwu, the marriage is dissolved and she is filled with apprehension and shame. When her second marriage, to Nnaife, produces a highly prized son, she realizes the happiness denied her, only to have her joy shattered when Ngozi dies in infancy. The death of the child becomes, by extension, the death of Nnu Ego. She sees no reason to live if she cannot succeed in the single role of bearing and rearing children. Slowly, she comes to new realizations about what is truly important to her, and these epiphanies force her to examine her role and function as a woman in Ibo society.

Nnu Ego's husband Nnaife blames her for their children's defection from traditional values, failing to understand his own role. Much to Nnu Ego's frustration, Nnaife does not acknowledge that his own drinking, lack of financial support, and selfishness contributed to the children's selfishness. Nnu Ego suffers most of all, working day and night at her thankless task of helping her children have all the best advantages and succeed in life.


The Joys of Motherhood – Character List 
1. Nwokocha Agbadi
Agbadi is a rich, powerful, and respected chief. He is brave, handsome, and famous for hunting elephants. He falls in love with Ona, the daughter of another chief. After being injured during a hunting trip, Ona nurses him back to health, and later they marry. Agbadi deeply loves Ona and later their daughter Nnu Ego. When Ona dies in childbirth, Agbadi raises Nnu Ego with care and affection. He represents traditional African masculinity, power, and authority.

2. Ona
Ona is Agbadi’s proud and independent wife. At first, she refuses to marry him because she fears political rivalry between their families. She is strong-willed, intelligent, and self-respecting. Though she loves Agbadi, she wants to live life on her own terms. She gives birth to Nnu Ego but later dies during childbirth. She represents female independence and resistance to patriarchal control.

3. Nnu Ego (Main Protagonist)
Nnu Ego is the central character of the novel. Her name means “twenty bags of cowries,” symbolizing her great value. Society judges her only by her ability to bear children. Her first marriage fails because she does not conceive, making her feel worthless. In her second marriage, she gives birth to many children but suffers greatly because of poverty, neglect, emotional pain, and loneliness. She works extremely hard for her children, sacrificing everything for them. However, her children grow up and leave her alone. In old age, she becomes poor and forgotten. After her death, people build a shrine in her name, but her life proves that motherhood brings suffering rather than joy.

4. Amatokwu
Amatokwu is Nnu Ego’s first husband. He is traditional and believes a woman’s only duty is to bear children. When Nnu Ego fails to conceive, he abandons her and marries another woman. He represents male dominance and social pressure placed on women to produce children.

5. Nnaife
Nnaife becomes Nnu Ego’s second husband. He is a laundry worker for a white family. At first, he is kind and caring, and Nnu Ego feels happy. They have several children together. However, poverty, job loss, and traditional expectations strain their marriage. After his brother’s death, Nnaife is forced to marry his brother’s wives. Later, he is imprisoned, leaving Nnu Ego alone to raise the children. He represents male helplessness in colonial society and traditional male authority weakened by poverty.

6. Adaku
Adaku is Nnaife’s brother’s youngest wife. After her husband’s death, she lives with Nnu Ego’s family. She is bold, outspoken, and ambitious. She refuses to live a life of poverty and hardship. Later, she becomes a prostitute and businesswoman to earn money and educate her daughters. She represents female independence and rebellion against traditional restrictions.

7. Okpo
Okpo becomes Nnaife’s second wife through traditional customs. She gives birth to many children, especially sons, which makes her powerful in the family. She becomes Nnu Ego’s rival, increasing Nnu Ego’s insecurity and suffering. She represents traditional polygamous family conflict.

8. Kehinde
Kehinde is Nnu Ego’s eldest daughter. She is sensitive and troubled. She leaves home early with a man, which leads to family shame. Her father attacks the man’s family, resulting in his imprisonment. This ruins Kehinde’s chances of a good marriage. She represents the limited freedom of girls in traditional society.

9. Oshia
Oshia is Nnu Ego’s eldest son. He is intelligent and ambitious. His parents struggle and sacrifice to educate him. However, he chooses to study in America, ignoring his parents’ wishes. His departure deeply hurts Nnu Ego. He represents the younger generation’s desire for independence and modern life.

10. Adim
Adim is Nnu Ego’s second son. He moves to Canada and distances himself from his family. Like Oshia, he does not return to support his parents. He represents modern individualism and emotional detachment from traditional family responsibilities.

Summary 
Nwokocha Agbadi is a proud, handsome, and rich village chief. He has many wives, but he is most attracted to a beautiful woman named Ona. He calls her “Ona,” which means precious jewel. Ona is the daughter of another chief. When she was young, her father loved her deeply and took her everywhere with him, proudly calling her his ornament. Agbadi used to joke that her father should wear her around his neck like a jewel. At that time, Agbadi never imagined that he himself would one day want to marry her.
One rainy season, Chief Agbadi and his friends go on an elephant-hunting trip. During the hunt, an elephant attacks Agbadi and throws him violently into a sugarcane bush. The animal pins him down, and he is badly injured. Agbadi manages to kill the elephant with his spear but becomes unconscious, and everyone thinks he is dead. After several days, he regains consciousness and finds Ona beside him, caring for him. During his recovery, they become physically close. Soon after, Agbadi’s senior wife, Agunwa, becomes seriously ill and later dies. It is believed that she became sick after seeing Agbadi with Ona.

During Agunwa’s funeral, traditional rituals are performed. According to custom, her personal slave is expected to jump into the grave to accompany her mistress in the afterlife. However, the young slave begs for her life. The men become angry, and she is forced into the grave. When she tries to escape, Agbadi’s son strikes her on the head with a cutlass, killing her. Her tragic death deeply affects the future of Nnu Ego.

Ona becomes pregnant and gives birth to a daughter named Nnu Ego, which means twenty bags of cowries, symbolizing great value. Nnu Ego is born with a mark on her head, resembling the wound of the slain slave woman, showing a spiritual connection. Later, Ona gives birth to another son but dies during childbirth, and the baby also dies. Nnu Ego grows up but remains childless after marriage to Amatokwu. Because of her barrenness, she suffers greatly and is told by herbalists that the spirit of the dead slave woman is blocking her fertility. Amatokwu soon takes another wife who becomes pregnant, and Nnu Ego is sent back to her father’s house in shame.

Later, Nnu Ego is married to a man named Nnaife, who lives in Lagos. She does not like him at first but hopes that motherhood will bring her happiness. She gives birth to a son, but the child dies, leaving her heartbroken and nearly suicidal. Over time, she gives birth to nine children who survive. Life in Lagos is extremely difficult. Nnaife works as a laundryman for white colonizers and later joins the army, leaving Nnu Ego alone to raise the children in poverty. She struggles daily to feed them and provide education. When Nnaife inherits his brother’s wives, conflict arises in the household. One of these wives later becomes a prostitute, while Nnu Ego continues to sacrifice everything for her children.

Nnu Ego works tirelessly to educate her eldest son, hoping he will support the family. However, he desires to study abroad, and her second son also follows this path. Her third child, a daughter, runs away to marry a butcher’s son, leading to trouble and Nnaife’s imprisonment. Her fourth child marries a lawyer who helps free Nnaife and later raises one of Nnu Ego’s younger children.

In old age, Nnu Ego returns to her village, where people praise her for her successful children. However, she feels empty and lonely because her children do not care for her. She dies alone and is considered mad by villagers. Only after her death do her children return to give her a grand funeral, spending money they never spent on her while she was alive. The novel ends with the bitter truth that Nnu Ego, despite her sacrifices, never truly enjoyed the happiness of motherhood.

Conclusion 
The actual condition of women is portrayed through the character of Nnu Ego also makes clear that the joys of motherhood include not only happiness but also pain and suffering.




 

Sunday, December 25, 2022

Plagiarism and Academic Integrity

Plagiarism and Academic Integrity




Q-1)What is Plagiarism and what are its consequences?

Definition of Plagiarism 
Plagiarism is derived from the Latin word plagiarius ("kidnapper"), to plagiarize means "to commit literary theft" and to "present as new and original an ides or product derived from an existing source". 

Consequences of Plagiarism 

Research has the power to affect opinions and actions, responsible writers compose their work with great care. They specify when they refer to an- other author's ideas, facts, and words, whether they want to agree with, object to, or analyze the source. This kind of documentation not only recognizes the work writers do; it also tends to discourage the circulation of error.

Q-1 What happens if journalists do plagiarism?
Q-2 What happens if writers do plagiarism?
Q-3 What happens if student do plagiarism?

When journalists, are exposed as plagiarists, they are likely to lose their jobs, and they are certain to suffer public embarrassment and loss of prestige. Almost always, the course of a writer's career is permanently affected by a single act of plagiarism. The serious consequences of plagiarism reflect the value the public places on trustworthy information.

Students exposed as plagiarists may suffer severe penalties, ranging from failure in the assignment or in the course to expulsion from school. This is because student plagiarism does considerable harm. For one thing, it damages teachers' relationships with students, turning teachers into detectives instead of mentors and fostering suspicion instead of trust. By undermining institutional standards for assigning grades and awarding degrees, student plagiarism also becomes a matter of significance to the public. When graduates' skills and knowledge fail to match their grades, an institution's reputation is damaged. For example, no one would choose to be treated by a physician who obtained a medical degree by fraud. Finally, students who plagiarize harm themselves. They lose an important opportunity to learn how to write a research paper Knowing how to collect and analyze information and reshape it in essay form is essential to academic success." This knowledge is also required in a wide range of careers in law, journalism, engineering, public policy, teaching, business, government, and not for profit organizations.

Mark Rose notes the tie between our writing and our sense of self-a tie that, he believes, influenced the idea that a piece of writing could belong to the person who wrote it! Rose says that our sense of ownership of the words we write "is deeply) rooted in our conception of ourselves as individuals with at least a/ modest grade of singularity, some degree of personality. It is essential for all student writers to understand how to avoid committing plagiarism.

Q-2)Short note on:-
a.) Forms of Plagiarism
b.) When Documentation is not needed
 c.) Issues related to Plagiarism

a)Forms of Plagiarism 

The most blatant firm of plagiarism is to obtain and submit as your own a paper written by someone else Other, less conspicuous forms of plagiarism include the failure to give appropriate acknowledgment when repeating or paraphrasing another's wording, when taking a particularly apt phrase, and when paraphrasing another's argument or presenting another's line of thinking.

1)Repeating or Paraphrasing Wording

Suppose, for example, that we want to use the material in the following passage, which appears on page 625 of an essay by Wendy Martin in the book Columbia Literary History of the United States.

Original Source
Same of Dickinson's most powerful poems express her firmly held conviction that life cannot be fully comprehended without an under standing of death.

If you write the following sentence without documentation, you have plagiarized because you borrowed another's wording without acknowledgment, even though you changed its form:

Plagiarism 
Emily Dickinson firmly believed that we cannot fully comprehend life unless we also understand death.

But you may present the material if you cite your source:

As Wendy Martin has suggested, Emily Dickinson firmly believed that we cannot fully comprehend life unless we also understand death (625).

The source is indicated, in accordance with MLA style, by the name of the author ("Wendy Martin") and by a page reference in parenthesis.to the corresponding entry in the works-cited list, which appears at the end of the paper.

Martin, Wendy. "Emily Dickinson." Columbia Literary History of the United States. Emory Elliott, gen. ed. New York: Columbia UP, 1988, 609-26. Print

2)Taking a Particularly Apt Phrase

Original Source 
Everyone uses the word language and everybody these days talks about culture.... "Languaculture" is a reminder, I hope, of the necessary connection between its two parts.... (Michael Agar, Language Shock: Understanding the Culture of Conversation [New York: Morrow, 1994; print: 60])

If you write the following sentence without documentation, you have committed plagiarism because you borrowed without acknowledgment a term ("languaculture") invented by another writer:

Plagiarism 
At the intersection of language and culture lies a concept that we might call "Languaculture."

But you may present the material if you cite your source: At the intersection of language and culture lies a concept that Michael Agar has called "languaculture" .

In this revision, the author's name refers the reader to the full description of the work in the works-cited list at the end of the paper, and the parenthetical documentation identifies the location of the borrowed material in the work.

Agar, Michael. Language Shock Understanding the Culture of Conversation. New York: Morrow, 1994. Print.

3)Paraphrasing an Argument or Presenting a Line of Thinking

Original Source 
Humanity faces a quantum leap forward. It faces the deepest social upheaval and creative restructuring of all time. Without clearly recognizing it, we are engaged in building a remarkable civilization from the ground up. This is the meaning of the Third Wave.

Until now the human race has undergone two great waves of change, each one largely obliterating earlier cultures or civilizations and replacing them with the ways of life inconceivable to those who came before. The First Wave of change-the agricultural revolution- took thousands of years to play itself out. The Second Wave-the rise of industrial civilization-took a mere hundred years. Today history is even more accelerative, and it is likely that the Third Wave will sweep across history and complete itself in a few decades. (Alvin Toffler. The Third Wave [1980, New York: Bantam, 1981; print: 10])

If you write the following sentence without documentation, you have committed plagiarism because you borrowed another writer's line of thinking without acknowledgment.

Plagiarism 

There have been two revolutionary periods of change in history: the agricultural revolution and the industrial revolution. The agricultural revolution determined the course of history for thousands of years; the industrial civilization lasted about a century. We are now on the threshold of a new period of revolutionary change, but this one may last for only a few decades.

But you may present the material if you cite your source:
According to Alvin Toffler, there have been two revolutionary periods of change in history: the agricultural revolution and the industrial revolution. The agricultural revolution determined the course of history for thousands of years; the industrial civilization lasted about a century. We are now on the threshold of a new period of revolutionary change, but this one may last for only a few decades .

In this revision, the author's name refers the reader to the full description of the work in the works-cited list at the end of the paper, and the parenthetical documentation identifies the location of the borrowed material in the work.
Toffler, Alvin, The Third Wave, 1980. New York: Bantam, 1981. Print.

b)When Documentation is not needed 

In addition to documenting direct quotations and paraphrases, you should consider the status of the information and ideas you glean from sources in relation to your audience and to the scholarly consensus on your topic. In general, information and ideas you deem broadly known by your readers and widely accepted by scholar such as the basic biography of an author or the dates of a historical event, can be used without documentation. But where readers are likely to seek more guidance or where the facts are in significant dispute among scholars, documentation is needed; you could attribute a disputed fact to the source with which you agree or could document the entire controversy. While direct quotations and paraphrases are always documented, scholars seldom document proverbs, sayings. and clichés If we have any doubt about whether we are committing plagiarism, cite your source or sources.

c) Related Issues 

1) Reusing a Research Paper

We must complete a research project to earn a grade in a course, handing in a paper you already earned credit for in another course is deceitful. Moreover, we lose the opportunity to improve your knowledge and skills. If we want to rework a paper that you prepared for another course, ask your current instructor for permission to do so. If we wish to draw on or reuse portions of your previous writing in a new paper, ask your instructor for guidance.

2)Collaborative Work

An example of collaborative work is a group project you carry out with other students. Join: participation in research and writing is common and, in fact, encouraged in many courses and in many professions It does not constitute plagiarism provided that credit is given for all contributions. One way to give credit, if roles were clearly demarcated or were unequal, is to state exactly who did what. Another way. especially if roles and contributions were merged and shared, is to acknowledge all concerned equally. Ask your instructor for advice if you are not certain how to acknowledge collaboration.

3)Research on Human Subjects

Many academic institutions have policies governing research on hu- man subjects. Examples of research involving human subjects include clinical trials of a drug or personal interviews for a psychological study. Institutions usually require that researchers obtain the informed con- sent of human subjects for such projects. Although research for a paper in high school or college rarely involves human subjects, ask your instructor about your institution's policy if yours does.

4)Copyright Infringement

Whereas summaries, paraphrases, and brief quotations in research papers are normally permissible with appropriate acknowledgment, reproducing and distributing an entire copyrighted work or significant portions of it without obtaining permission to do so from the copyright holder is an infringement of copyright law and a legal offense, even if the violator acknowledges the source. This is true for works in all media. 

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